The visit of Prince Charles in Brussels will come directly from the royal farce
The Prince of Wales rarely visits Brussels, but at lunchtime on Wednesday, he will be in the European Parliament, calling on EU officials to focus on climate change despite the economic downturn.
And then, Prince Charles will beonstage in the Belgian capital in a big theater, singing to the plants in his greenhouse.
Closer reading of the bill shows just one of the two is the true king the real deal. Although the prince addressed the deputies, the actor to portray him in the theater.
The Royal Box looks can be empty for the premiere of a comic game of promising incendiary take on Duke tangled personal life, to dramatize a love triangle between Charles and Camilla Parker Bowles and Diana, Princess of Wales.
Lady Camilla, or choice of a royal prince shows chaos, is fraught with the Queen struggling helplessly contain the disorder unleashed a marriage breaks up, Charles. On contingency agreement, the prime minister brazenly play fell on the day Charles was in town.
However, as Prince William and Kate Middleton countdown to their wedding, it provides an unwanted reminder of how the previous tales of the royal marriage slipped into charades and tragedy.
Weaving real life with invented scenes, play consists of five characters: Charles, Diana, Camilla, the Queen and James, the fictional butler of Prince.
Beginning three decades ago, when Charles first met Camilla, she is part love story, part bedroom farce, part sociological study of the British aristocracy.
Director Fabrice Gardin said a combination of genres reflects the modern day mythology of the royal family. "It's a fascinating world of secrets, things unspoken and taboo," he said.
"Moreover, criticism of the way high society conducts human relations, considering himself above the law."
The game involves Diana was chosen by the name of Charles's suitability for the continuity of the dynastic: a fresh skin, blue-blooded young bride, her virginity certified physicians, she was expected to perform royal contract and produce two heirs.
Without love match, a marriage shakiest funds, with Charles and Camilla, even sleep together in the eve of the 1981 royal wedding.
Playing live, Diana is becoming more assertive, developing the image Hollywood Media battling her private neuroses.
Charles, in contrast, shows how a lonely man, his character scars of his strict upbringing. Camilla, a tender for Charles is portrayed as manipulative influential.
Despite melodramatics play, it was written by one of the most famous intellectuals in Brussels: Pascal Vrebos, cultural commentator, semiology lecturer and author of books about Mikhail Gorbachev and Henry Miller.
His interest was piqued when he discovered that Camilla encouraged Charles married Diana.
"This is a highly theatrical situation", Vrebos said, comparing the vacillating Hamlet Charles, Camilla scheming Lady Macbeth and Othello, to Diana's doomed wife, Desdemona.
"Camilla wants to be a royal mistress, Diana in love with the idea of royalty, and Charles does not want to marry. This is a comedy of masks, power and money, intrigue, intelligence and sex."
Now play at the Royal Theatre de gallery, 850-seat auditorium decorated with surrealist artist Rene Magritte.
Production is likely to collect much larger crowds than Charles would be in the European Parliament. It is planned to start within a month, until March 6, but there are no plans to tour in the UK.
And then, Prince Charles will beonstage in the Belgian capital in a big theater, singing to the plants in his greenhouse.
Closer reading of the bill shows just one of the two is the true king the real deal. Although the prince addressed the deputies, the actor to portray him in the theater.
The Royal Box looks can be empty for the premiere of a comic game of promising incendiary take on Duke tangled personal life, to dramatize a love triangle between Charles and Camilla Parker Bowles and Diana, Princess of Wales.
Lady Camilla, or choice of a royal prince shows chaos, is fraught with the Queen struggling helplessly contain the disorder unleashed a marriage breaks up, Charles. On contingency agreement, the prime minister brazenly play fell on the day Charles was in town.
However, as Prince William and Kate Middleton countdown to their wedding, it provides an unwanted reminder of how the previous tales of the royal marriage slipped into charades and tragedy.
Weaving real life with invented scenes, play consists of five characters: Charles, Diana, Camilla, the Queen and James, the fictional butler of Prince.
Beginning three decades ago, when Charles first met Camilla, she is part love story, part bedroom farce, part sociological study of the British aristocracy.
Director Fabrice Gardin said a combination of genres reflects the modern day mythology of the royal family. "It's a fascinating world of secrets, things unspoken and taboo," he said.
"Moreover, criticism of the way high society conducts human relations, considering himself above the law."
The game involves Diana was chosen by the name of Charles's suitability for the continuity of the dynastic: a fresh skin, blue-blooded young bride, her virginity certified physicians, she was expected to perform royal contract and produce two heirs.
Without love match, a marriage shakiest funds, with Charles and Camilla, even sleep together in the eve of the 1981 royal wedding.
Playing live, Diana is becoming more assertive, developing the image Hollywood Media battling her private neuroses.
Charles, in contrast, shows how a lonely man, his character scars of his strict upbringing. Camilla, a tender for Charles is portrayed as manipulative influential.
Despite melodramatics play, it was written by one of the most famous intellectuals in Brussels: Pascal Vrebos, cultural commentator, semiology lecturer and author of books about Mikhail Gorbachev and Henry Miller.
His interest was piqued when he discovered that Camilla encouraged Charles married Diana.
"This is a highly theatrical situation", Vrebos said, comparing the vacillating Hamlet Charles, Camilla scheming Lady Macbeth and Othello, to Diana's doomed wife, Desdemona.
"Camilla wants to be a royal mistress, Diana in love with the idea of royalty, and Charles does not want to marry. This is a comedy of masks, power and money, intrigue, intelligence and sex."
Now play at the Royal Theatre de gallery, 850-seat auditorium decorated with surrealist artist Rene Magritte.
Production is likely to collect much larger crowds than Charles would be in the European Parliament. It is planned to start within a month, until March 6, but there are no plans to tour in the UK.
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